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Perhaps the most well-known jazz piano-vocal duo recordings were made in 1975 by Bill Evans and Tony Bennett. For me, these performances are sui generis — a high-water mark of the form.
Christine Suggs’s graphic novel is comforting, but it also offers serious proof of why representation, and its embrace of diversity, is so important.
Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
The biographer makes her case with evident joy, drawing on wide-ranging research to supply a lucid, sympathetic homage to Emilie Loring’s indefatigable determination and sunny-side up literary sensibility.
This eye-opening collection of photo-essays, essays, and interviews offers a kaleidoscopic view of a subject that is too often hidden, treated as a private concern rather than one of vital public interest.
Reviews of eight stage productions in London, with two terrific shows noted: American dramatist Bruce Norris’s powerful study of racial relations, Clybourne Park, and Alan Ayckbourn’s 1980 farce Season’s Greetings. Another winner on the West End, the critically acclaimed War Horse, comes to New York next week. By Joann Green Breuer Penelope by Enda Walsh…
The triple-threat, multi-genre members of the newly formed vocal trio Sonica are creating inspiring and engaging music across multiple musical boundaries.
Horace advocated that seizing the immediate with existential zest.
Fanny Lou Hamer’s life and the political struggle, which gave us the Voting Rights Act, is the basis of Mary Watkins’ two-act opera.
Now 78, Cher has written a compellingly candid chronicle of her early life and showbiz career, up until her move into the movies, which will be told in Part Two.
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