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Concert Review: Tanglewood’s 75th Birthday Shindig — Boston Symphony Orchestra, Tanglewood Festival Chorus and Guests

July 16, 2012
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After several years of frustrating cancellations and artistic challenges, Tanglewood and the Boston Symphony Orchestra seemed to be saying that there’s still much to celebrate. And they were right.

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Coming Attractions: March 10 through 26 — What Will Light Your Fire

March 10, 2024
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.

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Fuse Film Review: This “Rocket” Soars at the Arlington International Film Festival

October 23, 2014
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The Rocket is an absorbing, visually stunning film with a backstory not quickly forgotten.

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Film Review: Doc Talk at the 2023 Provincetown International Film Festival

June 16, 2023
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Two documentaries at PIFF show how we got to where we are now.

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Dance Review: United Dance Company — Breaking Down Barriers, Beautifully

March 11, 2025
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The five performers with Down syndrome danced along with three professionally trained dancers without disabilities — and they all looked wonderful.

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The Arts on Stamps of the World — December 14

December 14, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Concert Review: Boston Early Music Festival’s Glorious Highlights

December 7, 2013
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The more I hear performed by the BEMF, especially their operas, the more deeply impressed – and thankful – I am.

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Theater Review: Learn to Roll with the Punchlines — “The Complete History of Comedy (Abridged)”

May 6, 2014
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The comic material here may be of the rubber chicken variety, but the Reduced Shakespeare Company performers are remarkably talented men.

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Jazz Album Review: Karl Berger and Jason Kao Hwang “Conjure” Freely

November 15, 2019
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These are two practiced masters at free improvisation. I am confident that many listeners will find them as intriguing and accomplished as I do.

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Music Feature: Joyce Moreno at Berklee

December 17, 2015
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When she composes a song, she said, it’s her guitar, rather than her voice, that “chooses the key. The guitar is the boss.”

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