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Hunger is hunger but each hungry person experiences it in his or her own way. That insight is at the heart of the remarkable, socially engaged toy theater production Who’s Hungry.
THE ART OF ROBERT FROST helped me get closer to the poems and in doing so helped me get closer to the poet.
Though lapsing at times into hagiography and muddled synopsizing, James Miller’s study of filmmaker Pedro Almodóvar is a bracing reminder of the greatness and ever-evolving genius of this world-class artist.
Horton Foote’s dialogue often dances on the edge of sentimentality, but, because of these performers, moments that might be sappy are instead deeply moving.
Leaving aside the doctrinal issue of how much of a commedia dell’arte evening should be improvised and how much should be scripted, the Yale Repertory Theatre production, in terms of performance and design, sets a high standard.
Hardly any of the under-60s generation can tell you who Serge Koussevitzky was or what his legacy consists of.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Darren Aronofksy’s new film might not be everyone’s cup of ambergris.
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