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It’s possible to argue with several of Stephen Sondheim’s selections. Are all of these his best achievements? Yet it hardly matters, because the composer’s tales of his artistic life, culled from probably a dozen interviews, are completely fascinating.
Read MoreOkada’s play reflects how skepticism has become the default stance for young adults shellshocked by post-recession economic restructuring.
Read MoreBoston Strangler centers on women journalists who are devalued and must hold their own, demanding safety and justice in a society that doesn’t always deem them worthy of protection.
Read MoreAs the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
Read MoreBohuslav Martinů, one of the greatest Czech-born composers, reveals a dark-comic sensibility in his rarely performed “Knife” and “Bridge” operas.
Read MoreAlbert Speer’s reputation as a “good Nazi” was this architect’s postwar monument. He spent as much time burnishing that brand after prison as he did when he was rising through the Nazi ranks.
Read MoreFrom the first page of Martha Ackmann’s new book on Emily Dickinson, you know you’re reading something entirely different.
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Holiday Commentary: Making Room for the Stranger