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A review of two fine backstage (or offstage) comedies at the Berlinale — “Blue Moon” and “Koln 75”.
“The Children’s Hospital” by Chris Adrian. (McSweeney’s) By Adrienne LaFrance Chris Adrian looks familiar because he looks ordinary. Dressed simply in khakis and a wrinkled, white Oxford shirt, he speaks just loudly enough to be heard and smiles only with his mouth closed. His calm restraint– like that of a monk or a surgeon– naturally…
The Whale is a bracing two hour battle against destiny.
Jim Kweskin and Geoff Muldaur are still mining America’s musical traditions.
The cellist is a member of a tribe of fabulous players/singers who are funny, thoughtful, opinionated, brilliant, and irreverent.
In a taut 90 minutes, The Lifespan of a Fact zeroes in on some key issues that we’re grappling with as a country — or ought to be.
In this remarkable and timely book, David Treuer is determined that Native American history not be seen as a “catalog of pain.”
We do feel Charles Dickens’s heart tenderly beating, swept away by Nelly Ternan’s poised beauty, and it’s touching in an almost Chekhovian way, his being smitten by a love which can only bring sorrow.
As a fellow female artist who is working to develop her own career, photographer Elizabeth Waterman acknowledges and honors the humanity and dedication of her subjects.
Cultural Commentary: Why is Boston’s Arts Coverage So Bland?
According to our docile mainstream media, Boston enjoys a perpetual Renaissance — the merchandise in the cultural window is always worth buying. And that predictability makes for very boring journalism.
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