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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Joshua Harmon’s serious but not solemn play focuses on a Jewish family in Paris grappling with the rise of antisemitism.
Read MoreIs he a murderer? Is she? Who was the victim? His wife? The mistress? The Blue Room is Gone Girl French style, which means more sex, more art, and more enigma.
Read MoreTwo books — one nonfiction, the other fiction — that deal with Jewish history.
Read MoreChucho Valdés moved almost seamlessly from African-Cuban rhythms and chants in Yoruba or Spanish to a hip modern jazz style. The latter, paradoxically, owes much to the brilliant runs and glissandi of Art Tatum, the bluesiness of Horace Silver, and the power of the left hand chords of McCoy Tyner.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
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All of the characters in Back to the Dirt are, in a sense, survivalists, people clinging onto what’s long gone, stockpiling karma for an apocalypse that is already upon them.
Read MoreA by no means complete round up of some recent releases in rock, from Keith Richards to the Libertines.
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“In these plays, part of my job is to unflatten history in a way that’s engaging, and also shows us that it’s okay for us to feel overwhelmed and confused and scared by the world — that we’re not so different from the people who came before us. They got through it, and we will, too.”
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The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues