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Avoiding pat formulas and enlisting unexpected aides de camp are probably the only ways that Bob Weir and his fellow founding Grateful Dead mates can avoid turning into a stale nostalgia act.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThe Broadway run of The National Theatre’s production of One Man, Two Guvnors, based on The Servant of Two Masters by Carlo Goldoni, has been nominated for 7 Tony Awards. Here is Fuse Critic Ian Thal’s review of the National Theatre Live broadcast of the British production, first posted in September, 2011.
Read MoreDespite its serious script and premise, “Contagion” is somehow able to retain a subtle element of “fun,” an admirable feat for a movie in which scores of people die in nearly every scene.
Read More“Captain America: Brave New World,” which is loaded with potential for drama and commentary, has less weight and punch than a butterfly’s fart.
Read MoreThe venue pulled the plug on Phil Lesh and his band after about 45 minutes into their second set, which was especially unfortunate considering the steady upward trajectory of the show to that point
Read MoreSeeing Eleanor Antin’s 100 Boots all in one place is exciting — this work of “postal art” is still explosive. Fred Sandback’s minimalist pieces offer a quiet contrast.
Read MoreThis year’s Montreal Jazz Festival Festival would have been more successful had it not been for all the construction ripping apart the city.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
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Visual Arts Review: Trump Likes Minimalism? Really?
All four budgets that Donald Trump and his sycophants sent to Congress had nada for the arts and humanities.
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