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Looked at on his own terms Thomas Hart Benton is an American Master and deserves to be reconsidered.
Read MoreI saw the anniversary evening as being about Twyla Tharp’s perennial themes and preoccupations.
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Pianist Noah Haidu’s impeccably performed and recorded “Standards II” is a winner.
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This crowd-pleaser of an exhibition, dedicated to an accessible, beloved artist, is a gift to the citizens of Boston and Everett, as well as to the general public.
Read MoreContemporary dance has no useful definition; maybe we could think of it as an attitude, a constantly changing venture.
Read MoreNo Pier Pressure is Brian Wilson’s 11th solo album and it shows little diminution of his still-prodigious talents.
Read MoreNow 58, the noted choreographer’s succinct gestural language, coincident use of music and musical ideas, and spatial elasticity is now completely second nature.
Read MoreSponsored by the Harvard Writing Program and the Harvard Summer School, the event was introduced, perhaps humorously, to the audience as a “meeting of German–American relations.” In reality, it was a more of a showcase in differences about each country’s historical imagination.
Read More“The Artist” works on two levels: the audience in the film and the audience watching the film are entertained by the same things. And it’s that simplicity – the era when silent movies were all they had and it was good enough – is the real protagonist.
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TV Commentary: A Fan’s Meditations on the Finale of “Mad Men”
People bonded with the product Mad Men was selling, but what were they falling for?
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