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“The music itself is quite Gothic. It’s about murder, and death, and God, not all toe tapping stuff.”
Read MoreFar From Vietnam dared say what no American documentary, even the most radical, would insinuate for fear of being accused of treason: in Vietnam, the Americans were the new Germans.
Read MoreThe point of the Spring Quartet, one assumes, is to showcase its four multi-talented members, particularly their talents as composers.
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Vladimir Jurowski’s new recording of Rachmaninoff’s Symphony no. 1 is a tightly-played, exciting reading; The Yiddish Cabaret’s only real offense relates to poor labeling; The transcriptions in Russian Masquerade are played with spunk and vitality.
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This tautly-directed, well-cast production is filled with contemporary medical, political, and social resonances.
Read MoreThis exhibit dedicated to Diaghilev and The Ballets Russes is well worth a trip to Washington D.C. because of the amazing objects on display.
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The recent death of longtime guitarist Nicky Wonder just the latest setback for pop genius Brian Wilson
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Defiant and tonally offbeat, French Exit mirrors, in a sense, its female protagonist, who doesn’t give a damn what the world thinks of her.
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This was the first stage production in a while that had me on my feet at the end, and thinking and feeling about it long afterward.
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Visual Arts Commentary: Preservation, Two Cases of To Be or Not to Be
Today’s increasingly heated argument about architectural preservation revolves around discerning which pieces of the past are worth saving, which buildings are valuable to our present and future.
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