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Mavis Staples’ voice and stage presence still exude power, still plumb emotional and spiritual depths.
Read MoreThe Coen brothers, Joel and Ethan, provide an on-target parody in Hail, Caesar!, their funny period comedy set in ’50s Hollywood.
Read MoreRockport’s intimate Shalin Liu Concert Hall overlooks the ocean, but seemed to be transformed into a flamenco parlor in Seville.
Read MoreThe Schumann First formed the capstone to conductor Asher Fisch’s conspicuously satisfying Boston Symphony Orchestra subscription series debut program
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Eoin Higgins’s “Owned” is a provocative take on our shifting politics and the instrumental role the media plays in how the superrich maintain power.
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Still, even with its flaws, this short book is an important contribution to literature by and about atomic bomb survivors because it underlines their indispensable value as witnesses.
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There’s a contrast here, an understandable impatience with current events placed alongside belief in MLK’s vision of the long arc of the moral universe. Neither cancels the other.
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To hear free music so beautifully contained and expressed in such inventive forms isn’t unheard of (Henry Threadgill? Vijay Iyer? Wadada Leo Smith?). But bassist Michael Formanek has his own way.
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Ginastera’s innovative style often draws comparisons to Bartók and Stravinsky for the artful ways in which he integrated folk music and dance forms from his native country into a striking, modernist musical language.
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Jazz Remembrance: David Sanborn, Way Beyond Smooth
He was lucky to be so well-rewarded for doing what he loved to do, and we were always lucky to hear him.
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