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For many years now, the Francis Davis Jazz Poll has collected brief lists of important jazz figures who passed in the previous year.
Read MoreYes, The Last Schwartz is a family drama through and through, but it is well crafted and touching.
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The practice of re-using large chunks of an opera for a new plot and new words may sound implausible to us, but in Rossini’s hands the result is delightful and surprisingly coherent.
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Being able to comfortably shift gears between “high” and “low” culture is one of the easiest ways in which a contemporary critic can gain the reader’s trust.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreJudging by the trailer for The Great Gatsby, it looks as if director Baz Luhrmann’s habitual excess will overwhelm the lyrical beauty and subtle power of F. Scott Fitzgerald’s prose.
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Although Greg Epstein’s analysis and critique of what he calls a tech religion are on target, his solutions for undoing its damage are bland, vague, and toothless.
Read MorePianist Garrick Ohlsson is helped by having unusually wide stretches in both hands. And like Chopin’s own playing, he never resorted to harshness or banging even in climactic passages. By Caldwell Titcomb Of all the musical events scheduled for this season I was most eagerly looking forward to the November 14 Symphony Hall recital by…
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Pain and catharsis wind through Saskadelphia.
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