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Arts Fuse critics select the best in music, film, visual arts, theater, author readings, and dance that’s coming up in the next week.
Read More“Plays about climate are notoriously difficult , not only because the science is complex and has become politicized, but also because audiences don’t flock to work that shows us the terrifying realities of our world.”
Read MoreYou may not know what you’re feeling or what to think about what you’ve seen afterward. This is a rare experience in cinema to be savored, or at the very least highly valued.
Read MoreSince its debut, the play Hysteria has been advertised as “in the comic tradition of Tom Stoppard,” blithely blending fact and fantasy, real life people and fictional characters into frothy fun. Unfortunately, Johnson is no Stoppard. Hysteria or Fragments of an Analysis of an Obsessional Neurosis by Terry Johnson. Directed by Daniel Gidron. Presented by…
Read MoreRamy’s drama takes a backseat to those of his relatives and friends, and that ends up expanding the reach and power of the series.
Read MoreIt is a great gift that the Gardner Museum has made such a strong and lively exhibition, presented exclusively in Boston, devoted to Manet.
Read MoreWondering about what to give the arts and culture lover on your gift list? No problem—the sage writers for The Arts Fuse (with an assist from our readers) come to the rescue with thoughtful suggestions.
Read MoreThis is the 17th annual edition of the Francis Davis Jazz Poll, finally named for its founder and guiding light. The Poll collates top-ten lists from 151 jazz critics and journalists, and as such provides a wealth of insight into and data about this past year in jazz.
Read MoreProgramming can make a difference in who feels invited to the table, and Provincetown International Film Festival has made it clear that diversity—especially supporting the work of female-identified filmmakers—is a top priority.
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Classical Music Commentary: Poetic Narratives in the Concert Hall, and a New Recording of Dvořák’s “The Spectre’s Bride”
A reflection on the whole tradition of combining longish narrative poems to music, especially for performance in a concert hall by large forces (e.g., singers and orchestra).
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