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Art with a capital A has been put on such a pedestal that Craft with a capital C has been downgraded to a shabby or rustic sort of activity of which the practitioner should be a little ashamed. ’Tain’t so.
Read MoreIn “Delusion,” veteran performance artist Laurie Anderson generates a muted melancholy, sometimes poetic, sometimes poignant, that makes the piece a consistently compelling if not always successful addition to an ambitious body of work.
Read MoreArts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
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Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
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The highlights of this year’s gathering will be productions of newly discovered or rediscovered works by both Tennessee Williams and Yukio Mishima.
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Our expert critics supply a guide to film, dance, visual art, theater, author readings, and music. More offerings will be added as they come in
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreWhat the few of us in Jordan Hall heard that night was a richly conceived and beautifully performed song cycle, mostly serious, but with some great wit in exactly the right places. It made for a fascinating and enlightening contrast to the CD version of “Vespers,” which Steve Lacy recorded in 1993.
Read MoreDavid Plante’s non-fiction and fiction are of a piece. There is the honesty of a writer who is willing and able to, first, face himself, then, write what he sees, and then, allow the world to see his seeing.
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Fuse Music Commentary Series: Jazz and the Piano Concerto — Setting the Margins
This post is the first of 17 in an ambitious series examining the traditions and realities of classical piano concertos influenced by jazz.
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