Search Results: balloonerism

Literary Remembrance: Homage to Guy Davenport — Brilliance Worth Savoring

May 18, 2020
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The fifteenth anniversary of the death of a grievously neglected writer whom critics almost universally acclaim a creative genius.

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Theater Review: Mermaids Don’t Lie in “From The Sea, To Somewhere Else”

July 20, 2016
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Those seeking whimsical and intimate theatrical entertainment should take in this imaginative production.

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Film Review: “No Bears” — An Iranian Director’s Muted Act of Subversion

February 8, 2023
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Rather than coming across as angry or urgent, Iranian director Jafar Panahi’s No Bears feels muted, perhaps even subdued to the point of depression.

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Visual Arts Review: COLLISION18:present — The Expanding Range of Cyberarts

November 17, 2012
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The more cerebral visitor may leave “Collision18:present” wondering if, like the classic definition of what constitutes pornography, ‘cyberart’ is firmly situated in the eye of the beholder (or of the curators).

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Film Review: Driving to the Exit – Panah Panahi’s “Hit the Road”

May 17, 2022
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Panah Panahi’s film is a powerful ode to the will to escape a restrictive society — and to tell stories.

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Arts Remembrance — Rip Torn: A Short Appreciation

July 20, 2019
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Rip Torn. Great name, better actor.

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Film Review: “It” – The Ordinary and Fantastic Eventually Meet

October 13, 2017
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It is most effective when it dwells on the sad influence of history, on personal tragedy, on the banality of evil and cruel indifference.

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Rock Album Review: “Fetch the Bolt Cutters” — Fiona Apple’s Perfectly Imperfect Storm

April 20, 2020
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Not only is Fetch the Bolt Cutters the most stunning of Apple’s five albums, it’s the most impressive pop record of this young pandemic year, its bottled turmoil speaking to our own pent-up nerves.

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Theater Commentary: Last of the Red Hot Anachronisms

July 11, 2009
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By Bill Marx If the age turns away from the theater, in which it is no longer interested, that is because the theater has ceased to represent it. It no longer hopes to be provided by the theater with myths on which it can sustain itself. –- Antonin Artaud

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Opera Review: ‘Summer and Smoke’

December 11, 2007
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By Caldwell Titcomb The operas of Lee Hoiby don’t come around often, but the best known of his seven stage works is Summer and Smoke, based on the play by Tennessee Williams. I still vividly remember the 1952 New York production of the play, which put off-Broadway firmly on the map and elevated the late…

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