Search Results: The Slip online
In its ninth album, YMCK shows that it is becoming self-aware. They are no longer just avatars we are to identify with, but also (satirically) the corporate entity behind them, a corporation preoccupied, like all others, with innovation.
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Technology-driven horror narratives are ubiquitous these days: Red Rose has an authentic look that makes its creepiness distressingly plausible.
Read MoreMy first thought: filming Donald Rumsfeld can only be rationalized if it’s a front for a citizen’s arrest.
Read MoreCongratulations to the Boston Jewish Film Festival are certainly due to its longevity and general quality.
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Brimming with edge-of-seat intensity and fist-waving theatricality, Julia Wolfe’s oratorio “Her Story” is the unequivocal highlight of the current BSO season.
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Does the world really need another personal abortion story? The answer is “yes,” Pauline Harmange argues.
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>Like many fads from the ’90s and early aughts, beanie babies are now getting the Hollywood treatment.
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Survival is the primary motivation, and the film’s unrelenting series of unexpected attacks generate considerable tension.
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Jeff Chon focuses on the weaknesses that see violence as an expression of strength: sexism and racism, an obsession with identity that devolves into an ideological search for purity.
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Rock Remembrance: Tom Verlaine
Tom Verlaine will be most remembered for Marquee Moon, both the album and title track, which alone would be enough to seal any legacy.
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