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Not only is Fetch the Bolt Cutters the most stunning of Apple’s five albums, it’s the most impressive pop record of this young pandemic year, its bottled turmoil speaking to our own pent-up nerves.
Read MoreThe Newport Folk Festival always pulls off unique, unexpected collaborations, while it embraces a head-spinning lineup of diverse genres that reflects its spirit of community.
Read MoreMel Brooks called Ronnie Scott’s Jazz Club “a little nest of happiness. All our recent wounds are healed there.”
Read MoreThe audience members were as diverse as the cast, the show is not being staged in a traditional space in Boston, and the play is incredibly relevant.
Read MoreSometimes called the “Turkish Balzac” and, more often, the “Turkish Chekhov,” Sait Faik actually had a literary vision all his own.
Read MoreNow, at least through mid-December, bassist Tony Levin – also a prolific photographer and blogger on tour — remains happy recasting King Crimson dreams each night with Beat
Read MoreIt’s rare to find a band that so naturally assimilates its individual voices to strike a collective palette.
Read MoreDefiant and tonally offbeat, French Exit mirrors, in a sense, its female protagonist, who doesn’t give a damn what the world thinks of her.
Read MoreDirector Jane Campion’s sharp adaptation of Thomas Savage’s novel focuses on the damage done to those who surrender to the alluring but pernicious “sword” of social conformity.
Read MoreJulie Taymor’s film version of William Shakespeare’s The Tempest is conclusive proof that just because we can do something with technology does not mean that we should. Less is often more, and one great text in hand is worth a dozen computers in the mix. And what was the director thinking with the racist portrayal…
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