Search Results: The Slip online
If only “Becoming a Man”‘s pathos were less streamlined, its theatricality more ambitious.
Read MoreI cite the repertoire only to give you a sense of the breadth of the material Jason Moran and Fred Hersch built on. The glory of the evening was the complete integration of the two pianists’ musical thought.
Read MoreCrucially, Blonde lacks a sense of joy. As Marilyn Monroe crumbles into an alcohol and drug haze, this expressionistic version of her life disintegrates into a succession of discomforting, sometimes laughable, scenarios.
Read MoreWe’re not in European art film territory here.
Read MoreNavigating the clash between tradition and experimentation — they are often two vastly different artistic worlds — requires bold programming.
Read More“The Rocky Horror Show” works best when it is immersive like this—a theatrical party that includes the audience.
Read MoreAt its best, The Slow Rush features catchy, energetic, and danceable tracks at the service of lyrical ruminations on dark topics, such as uncertainty and the inevitable passage of time.
Read MoreA brilliant new novel explores how the search for his family’s fate during the Holocaust nearly costs a man his sanity. “Götz and Meyer” by David Albahari. Translated from the Serbian by Ellan Elias-Bursac. (Harcourt, 176 pp., $23) By Tess Lewis “We need so little to imagine another world, don’t we?” asks the narrator of…
Read MoreIn India, dosas are cooked on a griddle in the street, as well as in restaurants and homes. As street food goes, the dosa gets high marks. It’s not junk, and it tastes great. The Dosa Factory in Central Square, subtitled “Indian Street Food,” is a hole-in-the-wall–not for an evening of food and talk. But that’s not what street food is. It’s a quick fix, and for these purposes, it’s about as good as it gets.
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Arts Commentary: Climate Crisis Cabaret — Marching Orders
Why did I help organize the Climate Crisis Cabaret? Because these are not normal times. And we need more theater like it.
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