Search Results: The Slip online
As the age of COVID-19 wanes, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
Read MoreFor classical music connoisseurs, YouTube has morphed into a virtual museum of music, at once an oasis of archival material, rare recordings, and provocative content. Rare recorded materials, some of them dating back to the early 1900s that were once available only in the dusty archives of a research library, are now instantly accessible, often…
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In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
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Compiled by Bill Marx As the age of Covid-19 wanes (or waxes?), Arts Fuse critics supply a guide to film, dance, visual art, theater, and music. Please check with venues about whether the event is available by streaming or is in person. More offerings will be added as they come in. The DocYard Spring Series…
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A landmark concert from 1992 is a chance to rediscover Betty Carter’s greatness, to appreciate again how this artist was special to the very essence of her soul.
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Comes Love was Sheila Jordan’s first full recording session as a leader, and it automatically becomes a collector’s item for those who love the legendary jazz singer’s work.
Read MoreThe prose of Patrick Modiano, this year’s Nobel prizewinner, has a distinctive French style whose directness and grammatical limpidity by no means exclude semantic depth and complexity.
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Jazz Review / Commentary: Brian Carpenter’s Ghost Train Orchestra and Some Notes on “Irony”
Brian Carpenter and the Ghost Train Orchestra are not about re-creating either hot jazz from the ’20s or novelty works from the ’30s and ’40s. They’re interested in capturing the spirit that they perceive to be inside these almost-forgotten pieces and using that spirit to make original new music.
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