Search Results: The Slip online
More comments on the films in this year’s Boston Jewish Film Festival, including “Dolphin Boy”, an uneven documentary about dolphins and healing, and “Dusk,” one of the finest films in the festival.
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Commonwealth Shakespeare Company’s Richard III is a deft, gripping version of Shakespeare’s vision of malevolence, staged with verve and vision.
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Hub Theatre Company’s production bursts with energy, staged with a clear-minded sense of movement and a hand-made quality that generates ample charm and whimsy.
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A supple, evocative novel that meditates on family and loss and art.
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Tarare is simply one of the most important operas of the Classic era, precisely because it challenges so many aspects of Classic-era “normality.” You won’t believe your ears.
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Françoix-Xavier Roth delivers a must-have cycle of Robert Schumann’s symphonies; Herbert Blomstedt’s Brahms’s Symphony no. 1 is spacious, restrained, and – too often – dull; Daniel Barenboim’s latest Elgar installment features a regrettably unsung masterpiece.
Read MoreThe performers must be so deeply invested in what they are doing that we are caught up in the narrative as its cobwebs are brushed away.
Read MoreBob Dylan’s first installment of his memoirs invokes the bard of old with engaging prose and an old carny’s sleight of hand. “Chronicles, Volume I” By Bob Dylan. By Tim Riley Bob Dylan is one of rock’s great trapeze artists. His songwriting is the stuff of literary aerobics, but his performances could re-attach your spine…
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What happens when, through unwillingness or incapacity, memory is lost or forsaken? Two documentaries at the CineFest Latino Boston explore some answers.
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The Huntington Theatre Company’s production of “Don’t Eat the Mangos” commands attention with its blend of entertainment and enlightenment.
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