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This is the first of a series of occasional essays where Fuse Dance Critic Debra Cash will reflect on dances made for camera and new technologies. As they used to say, don’t touch that dial!
Does every semi-famous person deserve a full-length documentary about them?
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Parakeet is a virtuosic, perplexing, challenging trip. If it’s too disturbing a tale for this particular moment (it shouldn’t be), it may be a great work to explore in a year to come.
Read MoreMartin Amis’s fiction, bleak though it often is, paradoxically remains compelling and pleasurable to read because of how well he writes about dreadful things.
Read MoreThe tunes on Joey Pizza Slice’s new LP are personal enough to leave many listeners scratching their heads, asking “Is this guy for real?”
Read MoreThe composer turns 250 this year and everyone is trying to cash in on the worldwide party. By Mark Kroll You might not know if 2006 is the year of the dog or the dragon in the Chinese calendar, but you couldn’t have possibly missed the news that this year marks the 250th anniversary of…
Read MoreOf course, I have no idea what was in Corot’s mind. But the juxtaposition of these images appears to me to present two different moments in time, perhaps adjacent ones, perhaps as close as possible, like adjacent frames of a film.
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Intimacy, whether physical or emotional, is continually challenged in Julia Jacklin’s Pre Pleasure.
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Film Commentary: The Heights and Depths, the Rise and Fall, of Hitchcock’s “Vertigo”
In the end, what strikes me most about “Vertigo” is its melancholy, its aura of grief, its mood of inevitable, irredeemable loss.
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