Search Results: French web series Destin creator
In her debut feature, music video director Jacqueline Castel supplies a moody and explicitly queer spin on the metaphor of monster as a maligned queer subject.
Read MoreWhat is a Judicial Review? It is a fresh approach to creating a conversational, critical space about the arts and culture. This session discusses Elizabeth Graver’s new novel The End of the Point, a multi-generational story about the trials and tribulations of a family that takes place between 1942 and 1999 in Ashaunt Point, a fictional beach community on Massachusetts’ seacoast.
Read MoreImaginary Beasts is to be congratulated for bringing public attention to the brilliant, idiosyncratic-to–the-max-and-beyond work of Daniil Kharms, a writer silenced by Stalin.
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On the hard wooden benches of a jail in Lowell, dialoguing with his street-fighting antagonists, we sense the emergence of organizer Michael Ansara’s strategy for working-class political action.
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“Soylent Green” should be seen as a work of future history, a docudrama of things that, in 1973, had yet to happen but are happening now, 50 years later.
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K.K. Downing does not trash Judas Priest or its legacy, but he gives, from his perspective, an honest and believable assessment of the group and his role in it.
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The Gaaga’s humor is driven by rage, anger, and disgust, emotions that are not often found in our domesticated (for easy consumption) theater scene.
Read MoreNo new edition of Bishop’s poetry, which she created with such loving-care and sent to publishers with such restraint, not to say stinginess, could advance her current reputation. She is America’s flagship, 20th-century poet, leaving the straight men (Eliot, Frost, Stevens, and Lowell) in her wake. (Expect a Bishop backlash by 2020.) Yet many poetry…
Read MoreIn his satire “The Golden Dragon,” Roland Schimmelpfennig holds his funhouse mirror up to “theater-people”: be they artists, audience, teachers, or students.
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Jazz Remembrance: You Don’t Know Jack—From Glasgow to New York
“With Cream I and Ginger could play free jazz as a rhythm section, while Eric played the Ornette Coleman role. However, we didn’t tell Eric that!”
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