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Two good reads: Boston harmonica player Jerry Portnoy’s memoir is an unflinching look at life as a sideman musician; the other is a history that shows how, without the Black stars he heard in Memphis, there would have been no Elvis or rock ‘n roll as we know it.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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Our expert critics supply a guide to film, visual art, theater, author readings, television, and music. More offerings will be added as they come in.
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A rare Black female instrumentalist band leader, whose improvisations on the harp were the equal of any horn, Dorothy Ashby deserves a respected place in jazz historiography.
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Childish Gambino is hamstrung by ambition, but 3.15.20 still contains a bevy of enjoyable songs, including one or two tracks that brush against brilliance.
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Of special interest is Askold Melnyczuk’s treatment of objects. His imagination transforms curios into uncanny artefacts.
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