Search Results: BUH-BYES

Jazz Perspective: Zev Feldman – A Sherlock of a Producer with an Impressive Portfolio

April 26, 2024
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Zev Feldman is becoming one of the great sleuth-producers of our time, and his name is becoming a marker of quality.

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Visual Arts Commentary: In a Room with Rothko

November 10, 2013
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The Arts Fuse is pleased to announce that “In a Room With Rothko,” by Anthony Wallace, posted last year, was awarded a Pushcart Prize Special Mention in the Pushcart Prize XXXVIII Best of the Small Presses (Norton & Co, 2013).

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Book Review: “Fine” — Lad Lit That’s Keenly Aware of the Human Condition and Its Afflictions

February 14, 2025
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John Patrick Higgins is a deft writer whose prose often displays a spare lyricism. 

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Stage Interview: Turf Wars — “A Raisin in the Sun” and “Clybourne Park”

March 10, 2013
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“Clybourne Park” was expressly written to be in conversation with Lorraine Hansberry’s “A Raisin in the Sun.” The former gives us a new perspective — actually new perspectives — on the latter.

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Visual Arts Review: “Matisse: The Red Studio” – A Lesson in Objects

May 9, 2022
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Making the viewer draw visual connections among Matisse’s pieces in the title painting is at the core of MoMA’s The Red Studio.

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Theater Review: Northern Exposure — Some Bright Theatrical Lights

April 10, 2015
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Two current productions make vivid cases for the strength of Canadian theater.

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Film Review: “Rodents of Unusual Size” — Scary! Creepy!

September 17, 2018
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How will PC New Englanders react to seeing nutria gunned down by hunters, and some bashed on their heads to make sure they are dead?

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Theater Preview: The Bard and Tennessee Williams

September 17, 2017
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“Both poet/playwrights wrote with the same swings between tragedy and farce we live with now in America.”

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Book Review: “How 1984 Became Pop’s Blockbuster Year”

January 5, 2021
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Music fans who miss, or missed, the long party that was mainstream music in the mid-’80s will be skillfully taken back to fast times in Can’t Slow Down.

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Theater Review: “Small Mouth Sounds” — Small Change

January 9, 2019
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Despite its promising premise, Bess Wohl’s script is yet another wan exercise in genial domestic comedy.

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