Search Results: BUH-BYES
Mario Diacono’s Boston shows were legendary.
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Desert Oracle is an omnibus, a kind of hand drawn map, as well as a bit of a crackup — something you will peruse and possibly find the route leading to a deeper dive.
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What exactly did the Duke’s music symbolize to Russell’s shifty characters, two upwardly mobile lowlifes more anxious to fleece the world than fall in love?
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This effective advocacy documentary charts the 21st-century decline of a great American institution (one established in the U.S. Constitution). It’s also a wake-up call alerting us that things didn’t have to happen this way.
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This marvelous production pulls off a tricky balance — vibrant bursts of creative energy are put at the service of illuminating the thorny nature of memory and guilt.
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“Fable for the End of the World” reflects our own uncertain condition — there are possibilities unknown, alternatives that even would-be godlings like Elon Musk and his ilk have not accounted for.
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Mothers and Sons is one of veteran playwright Terrence NcNally’s finest works.
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Viewers would be wise not to search for a deeper meaning in “Caught Stealing” — this is an example of entertaining commercial filmmaking from one of our best directors.
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I strongly advise you to explore the wizardry of Manual Cinema — its potential is considerable.
In recent years several serious artists, Amanda Parer among them, have created giant inflatable pieces with the aim of making cultural/political statements.
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Arts Feature: Best Movies (With Some Disappointments) of 2025