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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Is it any wonder? An opera that angered Louis XIV in 1677 brings enormous pleasure in 2020.
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Over the past year, I’ve delved into the most significant body of work for string quartet ever written by a composer whose primary identity with the public is as a jazz musician. Here’s how to begin your own encounter with important facets of the work of an artist whose name you ought to know.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Read MoreArts Fuse critics select the best in film, theater, music, visual arts, and author events for the coming week.
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Gigs by superb bands led by Mary Halvorson and Mehmet Ali Sanlıkol at the Regattabar.
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Focusing on the years between 1961 and 1964, director James Mangold turns Bob Dylan’s creative journey into a better-than-average cinematic biography in which the singer ends up riding off on his motorcycle and into history.
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Each month, our arts critics — music, book, theater, dance, television, film, and visual arts — fire off a few brief reviews.
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Music Commentary: Jean Sibelius’s Violin Concerto — The Universal Concerto?
Sibelius’s Violin Concerto is almost something of a phenomenon now: in just eight months, I’ve heard it played by three different fiddlers — Baiba Skride, Lisa Batiashvili, and Inmo Yang.
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