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In the superb “But where is the lamb?,” James Goodman takes up the numerous ramifications, moral and otherwise, of God’s chilling command to sacrifice Isaac and Abraham’s — perhaps more chilling — acquiescence.
Read MoreIf the BSO wanted to make a statement about where it might be headed based on the strong artistic results of the current season, it certainly could have. That it didn’t is a missed opportunity and hopefully not a sign of things to come.
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By so memorably reestablishing the fundamentals of urban design and planning, The Art of Classic Planning will be a strategic addition to any architecture or urban planning library.
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Viewers who have endured abusive domestic family situations may find their throats swelling, their hearts thudding, and their hands shaking.
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What a treat to see choreographers of different generations concentrating on ballet itself and asking the audience to appreciate what ballet can do.
Read MoreDoes anyone really believe that there is no sexual harassment going on in Boston area theater companies today?
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Freedom of expression is a more precious commodity than taste. Conservative critics were very clear about their moral imperative; they confidently vilified artists and terrorized institutions. No one won the culture wars — we lost them.
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“Blood In the Tracks” delivers a minor miracle: a host of fresh looks at the most (over)written about musician of our age.
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My hunch is that not only theater critics but audiences will find the parade of tried and true tiresome.
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Theater Commentary: Where Is Our Rage?
Why are Boston stages reacting so serenely to our current miasmas — pandemical, political, economic, and spiritual.
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