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A two week stay in Paris, April 11 through 26, delivered the sights and sounds crooned about in the well-known songs.
Read MoreSimultaneously storyteller and player, ancient character and modern respondent, Denis O’Hare’s performance of “An Iliad” elicits the kind of respect automatically granted this genre of demanding monologual performance.
Read MoreChhandika is dedicated to keeping the intricate and expressive art form of Kathak dance relevant to contemporary audiences, particularly to those who are not familiar with the Ramayana.
Read MoreGenerally in New England we’re outspoken about nearly everything – politics, social issues, sports – so why not the arts?
Read MoreThe best rock biopics, like “24 Hour Party People,” “I’m Not There,” and “The Doors,” aren’t afraid to get a little weird, even if it means throwing verifiable facts to the wind.
Read MoreSusanne M. Sklar’s study is the best exploration of William Blake’s miraculously bewildering masterpiece that I know of — thoughtful, scholarly, imaginative, and supremely sympathetic to the poet’s ornery complexity as well as his capacity to inspire wonder.
Read MoreThe best parts of this book of interviews come when Charles Mingus or his collaborators talk about the music.
Read MoreDon’t be late for a very important date when the Coolidge Corner Theatre hosts a Sunday morning, high-def broadcast of the Royal Ballet’s production of Christopher Wheeldon’s celebrated “Alice’s Adventures in Wonderland” on May 5.
Read MoreTo The Wonder — the best American feature by far of 2013: beautiful, compassionate, tragic, transcendent.
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