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To his credit, Mark Cousins does provide some insights into Alfred Hitchcock’s motifs and obsessions, from doors to staircases to creepy, dank interiors crammed with gizmos, gewgaws, and cobwebs.
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“We want everyone to come and let out a primal scream,” said Amanda Palmer of the Dresden Dolls.
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It is time for some fierce pushback from the artistic community and lovers of the arts to Generative AI Leaders.
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Our expert critics supply a guide to film, visual art, theater, author readings, and music. More offerings will be added as they come in.
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Thanks in large part to the late Phil Lesh’s influence, the performances of the Grateful Dead developed a signature blend of composition and improvisation.
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A reviews of a trio of standout films at this year’s New York Film Festival: Mati Diop’s “Dahomey”, Marta Mateus’ “Fogo do Vento”, and Jem Cohen’s “Little, Big, and Far”.
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At the Woodstock Film Festival: the stunning documentary “The Remarkable life of Ibelin” and Mike Leigh’s rich and powerful “Hard Truths”.
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The Boston Chamber Music Society’s greatest strengths lay in its skill in letting the music breathe.
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The music in Avishai Cohen’s album, written and recorded soon after Oct 7, expresses a persistent hopeful gentleness.
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“Separated” is a compelling, urgent, and essential examination of an ongoing injustice that every American should see and ponder before going to the polls.
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