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Overall, VII finds Blitzen Trapper maintaining its musical muscle even though its lyricist occasionally struggles.
Read MoreIf Thursday’s performance of Mahler’s Second Symphony by the Boston Symphony Orchestra and the Tanglewood Festival Chorus was marked by some untidiness, the broad picture to emerge was one of often thrilling, Apollonian grandeur.
Read MoreArts Fuse critics select the best in music, dance, and film that’s coming up this week.
Read MoreDirector-writer Alexandre Moors, a Parisian living in New York City, builds a credible narrative story of the killer team in the months before their death spree.
Read More“Return to form” is a little too easy, but if you miss the “old” Travis, then the new album, Where You Stand, is the one you’ve been waiting for.
Read MoreGil Rose and the Boston Modern Orchestra Project (BMOP) have been on something of a recording tear of late.
Read MoreFar From Vietnam dared say what no American documentary, even the most radical, would insinuate for fear of being accused of treason: in Vietnam, the Americans were the new Germans.
Read MoreWith an eclectic visual style that includes animation, and narration spoken with conviction by D.C. native Henry Rollins, The Legend of Cool “Disco” Dan tries to accentuate the positive.
Read MoreBoston’s biggest outdoor jazz event has more of a local focus his year—hardly a problem, given the wealth of talent connected to Berklee, NEC and other institutions.
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Arts Commentary: To Stay or Not to Stay? Copley Place’s fountain faces an uphill battle
Today, the fountain at Copley Place feels embarrassing in some way; not its form or execution, but its very existence.
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