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Fuse News: “Cambridge: A Novel” — A Vision of a City and a Childhood

May 4, 2014
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“Cambridge” is being marketed as a novel, which means the author has included embellishments

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Coming Attractions: What Will Light Your Fire This Week

May 4, 2014
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Arts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.

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Dance Review: Alvin Ailey American Dance Theater — Among the Finest Dancers in the World Today

May 3, 2014
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I cannot prove the following judgment because I have not seen every dancer on the globe, but I believe that the members of the Alvin Ailey troupe are among the best in the world.

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Film Review: “Fading Gigolo” — Kind of Funny, Kind of Touching

May 2, 2014
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“Fading Gigolo” isn’t about fulfillment, sexual or otherwise — it’s about the transitions in the lives of its characters.

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Fuse News: In Memoriam — Former HTC Artistic Director Nicholas Martin

May 2, 2014
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The late Nicholas Martin — an ebullient, mirthful spirit.

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TV/DVD Review: The Complete “Hill Street Blues” — A Groundbreaking Cop Show Untarnished by Time

May 2, 2014
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The complete “Hill Street Blues” is a godsend for those eager to venture beyond “Law and Order” and “CSI” dynasties.

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Book Interview: James Shapiro on America’s Complicated Relationship With Shakespeare

May 1, 2014
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“Americans have been most drawn to the great tragedies—in our classroom and on our stages. “

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Theater Review: Hello Muddah? — “My Son The Waiter”

May 1, 2014
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Comic genres don’t die; they just become niche markets.

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Book Review: An Informative Tour of Randy Revolutionary Times

April 30, 2014
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This book is a valuable reminder that “the men associated with an era of supposed morality and Christian values of monogamy and marriage have nearly all been linked to infidelity and sex outside of wedlock.”

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Author Interview: Novelist Elizabeth Graver on “The End of the Point”

April 29, 2014
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“The space between fantasy and reality is a very charged one. Fiction can explore that, which might be one reason why I’m so drawn to it as a form.”

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