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Two significant feature debuts at the MFA’s French Film Festival — Age of Panic goes where few movies have gone before, while Apaches trains a calm, dispassionate gaze on disaffected youth.
Read MoreTadao Ando’s new Clark, minimalist in its materials and understated presence, is more Zen than a billboard for its disparate architectural elements, more harmony than postmodern dissonance.
Read MoreOne good reason to see Matthew Sweet is that his songs are more immediate live than on CD.
Read MoreTo judge from the BSO’s responsive playing and the audience’s enthusiastic responses, director-designate Andris Nelsons can’t do much wrong these days. Of course, a decade ago, neither could James Levine.
Read MoreIncomparable opera diva Renée Fleming makes her debut as a stage actress — playing an impossible opera diva — in playwright Joe DiPietro’s sliver of a comedy Living on Love.
Read MoreCompany One’s production treats audiences to a seamless, eight-member ensemble who perform with a complicated bevy of multimedia effects that are so smoothly integrated into the action they elicit ooohs and aahs from the crowd.
Read MoreDirector Jenna Ware’s adaptation (a world premiere) of Carlo Goldoni’s inspired zaniness puts a delightfully distinctive spin on a classic of clowning.
Read MoreArts Fuse critics select the best in music, film, theater, visual arts, author readings, and dance that’s coming up in the next week.
Read MoreGilbert Kalish’s recital is as distinguished and appealing as one would expect.
Read MoreSo what was so impressive about the lineup of films at the 17th Maine Fest? Catnip for me are 35mm films on the big screen..
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Arts Feature: Best Movies (With Some Disappointments) of 2025