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There was more than one reference to Alvin Ailey himself in Odetta, recalling Ailey’s frequent use of a female protagonist and his choices of other noted black artists as inspiration.
Read MoreArts Fuse critics select the best in film, theater, music, dance, visual arts, and author events for the coming week.
Read MoreBoston was first introduced to ensemble taiko in 1975, when members of the Japanese group Kodō crossed the finish line of the Boston Marathon and moments later performed.
Read MoreAscending Light is, by far, the most serious orchestral score of Gandolfi’s I’ve heard and it succeeds to a considerable extent thanks to its expressive honesty.
Read MoreThe Golden Dragon Acrobats’ Cirque Zíva is part dance, part acrobatics, and 100 percent spectacle.
Read MoreThe Zellner brothers’ excellent film is inspired by a Japanese urban legend of a young woman who came to America supposedly because of Fargo, and then committed suicide in the snows.
Read MoreNew England’s oldest continuously-active opera company brings to Boston a rare performance of one of Tchaikovsky’s less-familiar operatic scores.
Read MoreEach piece is so different from the others in Shades of Sound that the evening provides something for everyone, giving the company a chance to showcase its phenomenal technique.
Read MoreWinter Sleep is not the cinematic masterpiece so many have been hailing it to be.
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