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“I was/am struck by the women in The How and the Why. I hadn’t seen them onstage before. Nor had I quite heard from them before.”
Read MorePatrick Dougherty’s Stickwork is a remarkable piece of public art.
Read MoreAuthor Vivian Gornick’s discontent is foundational, fertile, unquenchable, except by writing, and quite often funny.
Read MoreRarely are Boston’s stages graced with a Shakespeare production that reaches this high a level of accomplishment.
Read MorePart of the maturity of Davey McGravy is how, though each poem has its own shape, each is a necessary part of the whole.
Read MoreThe performers must be so deeply invested in what they are doing that we are caught up in the narrative as its cobwebs are brushed away.
Read More“Yes, America might have been a nation of Christians, but that was different from being formally a Christian nation.”
Read MoreWhat happens when someone performs at the highest possible level of an art form and then has to give it up?
Read MoreAnne Meara left a deep impression on all she came into contact with.
Read MoreJamie Kirsch describes Les Noces as “a non-stop, energetic, tour-de-force ride that lasts 25 minutes without a break and leaves you breathless by the end.”
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