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Fuse Coming Attractions: What Will Light Your Fire This Week

October 4, 2015
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Arts Fuse critics select the best in film, theater, music, visual arts, and author events for the coming week.

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Fuse Rock Interview: Dave Davies — Playing the Kinks Klassics

October 4, 2015
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In this interview Dave Davies discusses his solo show and gives us the latest on the ongoing Kinks intrigues.

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Film Review: “Breathe” — French Teens and the Sins of the Parents

October 3, 2015
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Complex and nuanced, Breathe thankfully owes little to our current assembly line of teen angst flicks.

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Theater Review: “Einstein’s Dreams” — Time After Time

October 3, 2015
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Wesley Savick not only does a fine job of adapting Alan Lightman’s text, but in his role as director he squares the circle.

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Concert Review: BSO’s Andris Nelsons conducts Shostakovich, Tchaikovsky, and Rachmaninoff

October 2, 2015
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The BSO had a well-deserved couple of weeks off following their late-summer tour of Europe, and they took some time to regain their sea-legs.

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Book Review: The Blissful “Botched-Night Splendor” of Tram 83

October 2, 2015
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Tram 83 mirrors the most sordid and chaotic features of contemporary African cities, in which non-Africans also remain intimately and often deviously involved.

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Book Review: “Peggy Guggenheim, The Shock of the Modern” — The Woman Behind a Remarkable Legacy

October 1, 2015
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Although there is a strangely dour tinge to this biography of Peggy Guggenheim, Francine Prose is ultimately fair.

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Visual Arts Review: Corita Kent at the Harvard Art Museums — Mingling the Mundane and the Sublime

October 1, 2015
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The premise of the show, and especially the catalogue, is to put Corita Kent her rightful place in the pantheon of major American Pop artists

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Book Review: “The Invisible Bridge” — Stranger and Scarier Than Fiction

October 1, 2015
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it’s useful to be reminded that Ronald Reagan, the revered All-American icon, was more simulacrum than savior.

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Fuse Theater Review: ASP’s Compelling “Othello” — Taking a Different Tack

October 1, 2015
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ASP director Bridgette Kathleen O’Leary chooses a nuanced approach to Othello that hews closely to the text.

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