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Casa Valentina’s dramatic weight comes from how skillfully the cast explores the tensions that swirl about the subject of who is gay, who is straight, and what is legal.
Read MoreArts Fuse critics select the best in film, theater, dance, music, visual arts, and author events for the coming week.
Read MoreAs a soloist, Fred Hersch is a wonder: he plays with an active, to the point of restless, two-handed style that sweeps a listener along with its lyrical fervor.
Read MoreDavid Ireland’s use of coded sectarian language helps him paint a vivid picture of the Belfast his characters call home.
Read MoreIt is hard to figure out just what playwright Winnie Holzman is up to in Choice: is this a supernatural sit-com?
Read MoreJafar Panahi’s Taxi is a winning, happy, unhappy, humane little road movie.
Read MoreWhat seems to animate many of the fairy tales is a heady freedom from the constraints of realism.
Read More“This is JETHRO TULL!, expressed proudly in bold terms. And then ‘the rock opera,’ said in an embarrassed whisper.”
Read MoreThis is a strong exhibit that succeeds in conveying a sense of what it was like to live during the 1920s in this exciting capital.
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Film Review/Commentary: “Goodnight Mommy”—We Have Met the Enemy and He is Ours
Two recent horror films know what they are doing: they are intelligent, clever, original, and genuinely disturbing.
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