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“Mission: Impossible – The Final Reckoning” is an honest piece of grand entertainment, not as great as “Mission: Impossible – Dead Reckoning Part One,” but still pretty great.
A new release from the BBC Scottish Symphony Orchestra and Timothy Redmond showcases music from four very different composers, two British and two American. A survey of Italian concertos from pianist Roberto Prosseda, the London Philharmonic Orchestra, and conductor Nir Kabaretti supplies a specter of menace.
“You make it a goal — one day performing on a big stage, such as Boston Calling. To see it come to fruition is a dream, it’s awesome.”
Some unfortunate misfires in a collection that, otherwise, has a lot going for it.
NDR Radiophilharmonie and Stanislav Kochanovsky may generate new fans for Tchaikovsky’s four orchestral suites; if you only want to dip your toes in Thomas Adès’ extraordinary music, his own take makes for a worthy introduction.
Getting to know the Composer Chair of the Boston Symphony Orchestra, the first composer of color to have a comprehensive long-term relationship with the BSO.
In this film, Alexis Langlois suggests that the diva worship so central to queer cultural production has found new toxicity thanks to social media, where we all feel entitled to a piece of our idols.
The beauty of “Jaja’s African Hair Braiding” at this political moment is that it provides a firsthand rebuttal to the current administration’s draconian policies — without ever directly acknowledging them.
Arts Commentary: The Battle for Imagination — Unraveling America’s Cultural Infrastructure
Abolishing cultural infrastructure and the deregulation of emerging technologies are two sides of the same anti-intellectual coin.
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