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There have been lots of recordings of Philip Glass to hit the market recently. One of the highlights is Víkingur Ólafsson’s Piano Works.
Chill is a solid enough attempt to dramatize a millennial coming-of-age story, but it is reluctant to probe very deeply into the guts of the zeitgeist.
There are powerful intimations of modernity in the writhings of Edwin Booth’s psyche.
Questioning Joshua Sobol’s right to write about these kinds of intimate atrocities is to suggest that stages should never address these issues.
An Arts Fuse regular feature: the arts on stamps of the world.
Canoa is a historical drama about the horror of history, made all the more frightening because it is based on a true story.
An Arts Fuse regular feature: the arts on stamps of the world.
This invigorating, sometimes unpredictable, Beethoven-heavy program certainly offered its share of athleticism and energy.
A documentary about the most important songwriter and record producer from the sixties that you’ve never heard of.
Vasily Petrenko and the Royal Liverpool Philharmonic Orchestra serve up some curious and, from time to time, rather languorous Elgar.
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