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Commentary and Preview: The Shrinking Scene v. Jazz Week and the Thelonious Monkfish Jazz Festival

April 22, 2017
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I try to be optimistic, but it’s hard not to observe that the jazz club scene in eastern Massachusetts is worse than it’s been in decades.

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Poetry Review/Interview: Poet Martín Espada — Resistance is Obligatory

April 21, 2017
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Martín Espada’s lyricism sings deeply in the key of loss, turning the anguish of social and personal histories into hope.

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Theater Review: “17 Border Crossings” — Journeys to Nowhere

April 21, 2017
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Was this trip really necessary?

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The Arts on the Stamps of the World — April 21

April 21, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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The Arts on the Stamps of the World — April 20

April 20, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Theater Review: “Paradise” — A Fascinating Culture Clash

April 19, 2017
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Paradise‘s central conflict and the performances in the Underground Railway Theater production are damn good.

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Book Review: “Stigmata of Bliss” — From the Master of the Tersely Disquieting

April 19, 2017
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Klaus Merz’s cunning, compressed prose invites us to listen for the sounds of the inexpressible, the other side of life.

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The Arts on the Stamps of the World — April 19

April 19, 2017
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An Arts Fuse regular feature: the arts on stamps of the world.

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Film Review: A “Colossal” Mistake

April 18, 2017
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Writer-director Nacho Vigalando blows to bits his love story and morphs his movie into a totally bonkers horror flick.

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Concert Review: Andris Nelsons conducts Mozart and Bruckner

April 18, 2017
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Mitsuko Uchida is quite possibly the finest Mozart pianist around today, at least among non-period specialists.

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