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Get Out owes much to the small but precious film genre that dares to cultivate bizarre and hip satire.
Read MoreOlivia Kate Cerrone tells this story in raw, blunt terms, in a naturalistic mode worthy of Zola.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreDirector Terence Davies read four biographies of Emily Dickinson; the details of her life he remembered became the basis for his screenplay.
Read MoreThe Boston Conservatory production of Mass was mostly frustrating, but Leonard Bernstein’s score came across very strongly.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreA welcome triumph for Hyperion, Bruch, and the Nash Ensemble, but the Oregon Symphony does not do right by Haydn.
Read MoreThe fiery excellence of Handel and Haydn Society’s collective effort made Monteverdi’s epic masterpiece sparkle like a star.
Read MoreAn Arts Fuse regular feature: the arts on stamps of the world.
Read MoreThe script softens up the issue of patriarchal authoritarianism by plugging it into a family comedy structure.
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Visual Arts Commentary: John Singer Sargent — A Particular Sort of Loner