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Annihilation wants to be a big movie about big ideas — what we get is a flawed impersonation of one.
The members of this trio seem to have preternatural access to each other’s musical thoughts.
As Alex Honnold observes, if he solos El Cap, it’s like winning a gold medal in the Olympics. But there’s no second or third place. If he fails, he dies.
The Verona Quartet is certainly worth watching, above all for the intimate way in which they communicate with each other and with the audience.
Steven Barkhimer’s mastery of the role’s physicality is the key to his expression of its villainy.
Shange’s nervy mix of wordplay and in-your-face didacticism — of resilience in the face of hardship — is very much the empowering thing.
Lost Laughs is an absorbing examination of the dark side of American celebrity.
I’ve never run across music like this and never had even a platonic notion of what such a hybrid would sound like.
Here we are more than a year into the tumultuous Trump era, and we have not seen a revival of angry punk or righteous folk.
It’s hard to sit through these six masterpieces and not feel, for the moment, that life is really good.
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