Posts
August Strindberg’s Creditors turns out to be a play that speaks chillingly to our time.
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To modern sensibilities, Frederic Edwin Church’s field sketches and early studies, with their virtuoso spontaneity and unmediated naturalism, may have more appeal than his epic paintings.
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Atung and Moy have a lot to say about American history and culture — acutely informed by the playwright’s 21st century sensibility and identity politics.
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“Rather than encourage the machines to behave like machines, I chose to find ways to sort of use them to create a very cinematic and atmospheric soundscapes.”
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Living Colour gives us fair and balanced for those who fear becoming unbalanced.
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Nicholas Van Young supplied an astounding display of virtuosity that seemed to amaze even the dancer himself.
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Diverting the resources of Boston’s regional theaters into the casino of Broadway undercuts the ideals that launched the regional theater movement.
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Slayer has been as good and dependable as any band ever has been in rock and roll.
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With this fun and irreverent staging of Cyrano, GSC Artistic Director Robert Walsh has thrown audiences a delightful curve.
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Film Commentary: Monkee Python and the Heady Grail
The quality of the experience has as much to do with the star’s in-person performance as it does with the film itself.
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