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The SpeakEasy Stage production is intimate and emotionally satisfying, highlighting the musical’s strengths — its sharply witty book, memorable songs, and heartbreaking characters.
Hilary Hahn supplies a disc of immaculate Bach; conductor Sakari Oramo and the Vienna Philharmonic play music by Rued Langgaard to the hilt.
Whether through disregard, willful ignorance, or strategic elimination, Michael Lewis gives us a glimpse of how parts of the government are being hollowed out.
Border memorably skims the border between reality and the supernatural, examining the irreconcilable division between the civilized and the perverse.
Andris Nelsons presided over an interpretation of Mahler’s Symphony #2 that was both tightly controlled and emotionally cathartic.
Chilling Adventures of Sabrina is not as artful as a lot of what’s on offer now, but this pleasing series kicks off the Hallowe’en season with a bang.
Yes, The New Yorker cover pillories the superrich as they ignore the pixie proletariat at their feet. But so what?
Don Byron’s repertoire doesn’t just focus on the bebop era — nor is it self-consciously hip.
While nothing happens, there’s an understated splendor in all that’s uneventful here, so much so that I didn’t want to miss any of it.
Film Commentary: FilmStruck Untimely Struck Down
Why is the curtain suddenly dropping now on FilmStruck, a vast, diverse, and tastefully curated archive of films spanning the past century and the entire globe.
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