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The cellist is a member of a tribe of fabulous players/singers who are funny, thoughtful, opinionated, brilliant, and irreverent.
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Jennifer Ratner-Rosenhagen’s The Ideas That Made America provides an exciting, if quicksilver, tour through intellectual history.
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The Chaperone plays like a sanitized look at female independence and sexual desire for the prudish over-50s crowd.
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It’s hard to imagine a Boston, even a New England, film-making and film-going scene without David Kleiler here.
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Drummer Nick Mason and his four non-Floyd bandmates turned Boston’s Orpheum Theater into a psychedelic palace.
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Coders had nothing in their intellectual toolbox that would help them understand people.
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This crowd-pleaser of an exhibition, dedicated to an accessible, beloved artist, is a gift to the citizens of Boston and Everett, as well as to the general public.
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American Moor sheds considerable insight into the tension between actor vs. director, into the power play between the two, and who will ultimately prevail.
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Via Ray Bolger’s trajectory we traverse the boards of Broadway and the silver screen of Hollywood — as well as the smaller, but equally thrilling, milieux of nightclubs and television studios.
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The Clearing pulls off an impressive challenge for a historical drama: it examines humanity’s weakness in the face of prejudice in a way that is not only faithful to the time period but unmistakably timely.
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