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This month focuses on contemporary country-rap. It’s high time we take note of a fledgling genre on the verge of mass popularity.
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Cry It Out is a well-done dramedy that suggests that we try harder to let life’s sweet moments linger.
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The perversity of The Handmaid’s Tale oppressive allegory lends itself well to opera, and Boston Lyric Opera makes the most of the material’s emotional heights and depths.
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Zhang Yimou’s return to form is a story of doubles, duplicity — and zithers.
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“I saw it coming three years ago, when there was a frenzy of development in the Fenway. Now the neighborhood looks like a corporate mall.”
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The White Crow, wisely, offers up no easy answers regarding why Rudolf Nureyev defected.
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A landmark concert from 1992 is a chance to rediscover Betty Carter’s greatness, to appreciate again how this artist was special to the very essence of her soul.
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HBO’S Barry has finally started to hit its stride as a mirthfully dark comedy/drama.
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School Girls; Or, The African Mean Girls Play is a serious comedy that takes aim at our provinciality and ignorance.
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Bolden is an intense film, depicting a life lived in a horrifically racist time and place.
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