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The best (or worst, depending on your preferences) aspect to Boston Calling has become its attention to youth-centric subcultures that have blown mainstream in DJs/electronic music and hip-hop.
Edward Albee’s provocative theatrical exercise is far trickier to realize onstage than it is to appreciate on paper.
Verisimilitude is rarely a meaningful measure by which to judge a film, but The Souvenir is obsessed with exploring the line between documentary and narrative, reality and art.
How seriously do we take country rap? Is it even a genre?
Do musicals with honorable intentions deserve a pass when it comes to quality?
With the release of her second solo album, Tal Wilkenfeld has become more than a bass virtuoso: she’s a sensitive songwriter, expressive singer, and capable guitarist.
Almost every painting here is a discovery worth making.
We will find out how much the future of the earth matters in the next Presidential election.
Railroad Rhythms is one of the year’s delights: unexpected, well played, and thoroughly charming. Theodore Kuchar is a conductor who seems to know precious few limitations; Eduard Strauss, despite his champions, turns out to have been a competent writer of music for the day.
Video Game Commentary: PAX East 2019 — Day One
My first day at this year’s PAX East was generally disappointing, though there was some enjoyment to be had.
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