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Dramatist Bekah Brunstetter sidesteps easy answers and pat revelations to produce a nuanced comedy about people coming to terms with who they are and where they are from.
Melody is one of the things that keeps a song from floundering, no matter how in-your-face its rhythm and chord structure might be, which is something a lot of spunky punk bands tend to forget. The Damned always kept that well in mind.
In this disc, Marcus King takes a step back from the big, hard-charging sound he has been pursuing to great effect with his namesake band over the past few years.
This week, Deanna is joined by Arts Fuse’s Founder & Editor in Chief, Bill Marx.
Imagine the excitement of experiencing, for the first time, an opera by one of the greatest composers to have come out of the Spanish-speaking world!
A fuller accounting of the creative contributions of women to the film industry in its early decades is still fighting for a place in mainstream awareness. The documentary Be Natural is a valuable battering ram in that fight.
Alan Rosen’s book thoughtfully illuminates the perilous calendrical devotion of Jews during the Holocaust, seeing it as a form of resistance.
Arts Fuse critics select the best in film, dance, visual art, theater, music, and author events for the coming weeks.
Neil Peart was a thinking man’s octopus behind a massive drum and percussion kit that he played with blazing speed and peerless precision.
Music Commentary: Grumbling About The Grammy Awards
After 61 years – and a slew of rule changes and category alterations – the Grammys remain the most philistine of our major shiny statue ceremonies.
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