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Book Review: “Weather” — Despite All the Ruckus

February 17, 2020
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There’s a funny, parabolic quality to the emotional weather in Weather — amidst all the unsettling harbingers, the sensation of being in end times, there is still love.

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Arts Commentary: Politics IS Performance — A Director Evaluates the Candidates

February 16, 2020
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Politicians are forced to perform on a massive stage and under the fierce gaze of a thousand lenses, yet few have real skills in that arena.

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Book Review: “Before the Big Bang Makes a Sound” — Poetry of Common Cause

February 16, 2020
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Carolynn Kingyens’s debut book of poems, Before the Big Bang Makes a Sound, reminds us of our everyday struggles.

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Book Review: “Strange Hotel” — Battling the Inner Critic

February 15, 2020
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Strange Hotel focuses on a woman’s life in middle age, suspended between the hollow satisfactions of memory and anxiety about the future.

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Visual Arts Review: “Painting Edo” — Lessons About Art and the Good Society

February 14, 2020
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Go feast your eyes.

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Theater Review: “Manahatta” — Breaking the American Myths

February 14, 2020
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The only way forward, to go beyond American myths of innocence, is to confront the enduring crimes of the past.

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Film Review: “After We Leave” — No Place Like Home

February 13, 2020
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I was blown away by how good After We Leave looks, its subtlety and plausibility and confident simplicity.

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Author Interview: Gish Jen on “The Resisters”

February 13, 2020
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Gish Jen’s new novel asks, Is ambition worthwhile in a world without justice?

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Opera Album Review: The Most Neglected Master of Opera? Carl Maria von Weber, Early and Late

February 13, 2020
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New recordings of Peter Schmoll and His Neighbors and of Euryanthe pose an embarrassing question: why is the opera repertory so narrow?

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Concert Review: Singer/Songwriter Michael Kiwanuka — He Will Fill You With Light

February 12, 2020
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Michael Kiwanuka blends singer/songwriter with funk and soul, the energy of Afro-pop with the intensity of psych and prog.

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