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Book Review: “Immigrant Architect — Rafael Guastavino and the American Dream,” a Splendid Book about Design for all Ages

May 29, 2020
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A book to cheer you in these challenging times, providing destinations to explore when this pandemic is over, and a story to inspire the more inventive young among us.

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Film Review: “The High Note” — Too Many False Notes

May 28, 2020
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This is a feminist battle where all participants wear marshmallow boxing gloves.

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Television Commentary: Unreeling the Newsreels in “The Plot Against America”

May 28, 2020
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Was this alternate history lesson too much of a downer for viewers weighed down by the burdens of their own unexpected rendezvous with history?

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Book Interview: Zena Hitz on the Pleasures and Values of the Intellectual Life

May 28, 2020
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“We’re at the end, or toward the end, of an extended collapse of the institutions that made it possible for many of us to make a living through intellectual or creative activity. We’ll have to find another way.”

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Book Commentary: “Pandemic!” by Slavoj Žižek — Choosing Reality and Survival Over Panic and Barbarism

May 27, 2020
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“In a crisis we are all Socialists,” goes an old adage. But can that instinct be trusted in an increasingly barbaric world?

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Jazz CD Review: John Scofield’s “Swallow Tales” — Steve Swallow’s Quirky Romanticism

May 27, 2020
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This is an intelligent, inventively performed, be-boppish tribute to a composer I now know better than ever.

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Classical CD Reviews: Thomas Adès’ Piano Works, “Ecstatic Science,” and Michael Gordon’s “Anonymous Man”

May 27, 2020
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Thomas Adès is a formidable pianist and his output for his native instrument is fundamentally gripping; yMusic’s new album is a spectacularly-played and -recorded disc; Michael Gordon’s Anonymous Man is undeniably hypnotic but gets stuck in a loop that goes on for a mite too long.

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Visual Arts Review: Visiting a Museum during a Pandemic — A Trip to the deCordova

May 26, 2020
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“We ask that you limit your stay to two hours, and remember that our restrooms are not open.”

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Book Review: “I Belong to Vienna” — The Merit of Not Doing the Wrong Thing

May 26, 2020
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The value and virtue of I Belong to Vienna is that it personalizes and humanizes a global reign of terror into an understandable drama.

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Film Commentary: Movie Love or, Seven Moments from the Ontology of the Cinematic Image

May 26, 2020
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The anti-cinema, represented by CGI, obliterates perception; it is not interested in tutoring the eye to see more deeply.

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