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Music Review: Heavy Metal Round-up — Lamb of God, Cro-Mags, and Living Gate

June 29, 2020
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A superior new Lamb of God disc was not entirely unexpected; an excellent new Cro-Mags record, well, I didn’t see that coming.

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Book Reconsideration: “A Confederacy of Dunces” — Still an American Comic Masterpiece?

June 29, 2020
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A reassessment on the 40th anniversary of A Confederacy of Dunces, a novel that many consider one of the funniest ever written by an American.

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Film Review: Want More Movies to Watch While Sheltering in Place? Stir-Crazy 6

June 28, 2020
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Five more feature films of great interest and their links, carefully chosen to get you through the travails of the coronavirus.

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Poetry and Prose Review: Joseph Brodsky — Revisiting an Icon

June 27, 2020
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For a generation of Russians, Joseph Brodsky was the poet, almost a code-word in the discourse of the intelligentsia, like Nabokov.

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Jazz Album Review: The Ultimate Peggy Lee — A Woman in Control

June 26, 2020
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Peggy Lee’s career took her far from the bifurcated sexual image expected of a canary — 40% coy seductiveness and 60% “I just want to settle down but will entertain you until the right guy comes along.”

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Performing Arts Series: Stories of Surviving COVID-19 — New England Conservatory

June 26, 2020
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What lies beyond COVID-19 for the arts community?

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Music Album Review: Phoebe Bridgers’s “Punisher” — A Stunning Sophomore Album

June 25, 2020
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Phoebe Bridgers has crafted a disc filled with pristine, meditative songs that carry a brutal emotional weight.

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Jazz Album Review: Pianist Erroll Garner — The Best Tunes Played with Mucho Gusto

June 25, 2020
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Thanks to Octave and Mack Avenue Records, a significant section of pianist Erroll Garner’s storied career is back, sounding better than ever before.

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Book Review: “The Family Clause” — Tribulations of a Family with No Name

June 24, 2020
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Jonas Hassen Khemiri does little in The Family Clause to put his own spin on the usual domestic showdown of repression versus dreams of liberation.

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Film Review: “Mr. Jones” — Independent Journalism Is a Very Good Thing

June 24, 2020
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Director Agnieszka Holland deftly presents a vision of genocide that is hard-hitting but never manipulative: the horror pervades the monochrome beauty of snow, skeletal trees, and pale, sunken faces.

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