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Nothing that guitarist Pat Metheny had done previously hinted at this sprawling 1981 masterpiece.
You need to hear this play. Especially if you are white and already “know” Othello. Listen again (and again) and prepare to question old assumptions.
The current rage for inserting the personal/confessional in everything from cookbooks to literary criticism can go too far.
The 51-minute piece represents a digital time capsule. It comprises 16 short episodes — reflections in movement of lives caught inside the pandemic — crafted by dance-maker collaborators.
Pop a bowl of popcorn, pour coke over a tall glass of ice, and listen to author and screenwriter Jesse Kornbluth’s irreverent, amusing take on the Oscars.
Director Jess Chayes has done all that is humanly possible to stage a lively live production under Zoom constraints.
This is one of the best traditional big band records you’ll hear this year, or maybe this decade.
In the age of COVID-19, Arts Fuse critics have come up with a guide to film, dance, visual art, theater, and music — mostly available by streaming — for the coming weeks. More offerings will be added as they come in.
Podcast host Elizabeth Howard talks to the curator who helped conceived of the powerful exhibition “Grief and Grievance,” in which Black artists bear witness to decades of their own challenging experiences.
There’s much to enjoy here and admire, both in the performances and the selections on hand, which hardly dwell on the usual suspects or limit themselves too narrowly.
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